news consumption during the early singularity

I am trying to avoid consuming all the news all the time. Then when I do do a news catchup, it’s completely maddening to need to piece together a picture of the story from several sources and hybridize my own take. Worth considering that anyone’s take can become its own mutated third thing that may be influencing others and amassing likes as a supertake, with cascades of subtakes rolling down the mountain, creating a mirror universe of infinite possibilities — an unmanageable number of perspectives.

(a x b^c)^(xy) = overfuckingwhelmed

Where:

  • a represents the original take on a subject

  • b represents the number of news sources on the subject of the take

  • c represents the updates as information is shared

  • x represents the individual's feelings

  • y represents the individual's sensitivity to news consumption


OM.


annihilated









Wendy's Palm Springs

When you’re in the playground of the midcentury cultural elite; where the sun sets at six sharp, the brightness of the sky is matched by the embrace of the air’s baking heat; and fleeting lizards are readily available underfoot; a glowing magic sets about you. It’s a trippy mashup of 20th century nostalgia with the post-postpostmodernity of this early century.

I had very clear visions of being in town under the wing of the mountains while making this. The pool scene, downtown, and Joshua Tree, all under cover of rock.

I’m still interested in the concept of space between moments, neuro perception, and memory. The color here is an exuberant celebration of not knowing anything clearly, which itself is ironic, because it was very clearly Palm Springs on my mind.

Made for a dear friend’s desert space.

I indigo-dyed some silk dupioni, stretched it as a canvas, then painted. INSET view below.

PALM SPRINGS

It makes me sad to look at the houses squeezed out, dangling at the edge of highways that cut through where there used to be neighborhoods.

I think this is because I’m inherently afraid of transitions, and I’m putting myself into several of the shoes I imagine they might have worn, the people in the houses at the edge, creased brown oxfords stained with oil spots from work, or modest loafers maybe? Highway’s comin’ Harold, she says, in a character portrayal that must be done by the venerable character actor Siobhan Fallon Hogan.

No, this is getting hyberbolic and I mean to convey the real life physical pain I encounter if my mind dwells too long in another person’s suffering.

The idea that one day there was a neighborhood, and the next there was a neighborhood actively being erased by the literal vehicle of human economic progress, is too much for my delicate soul to traverse.

I call it delicate, of course, because I know that I did not actually live out this devastating fate of having and losing and adapting, and here’s where I perhaps unfairly assert the trajectory that sees our main character suffer in all the little ways that amount to crushed hopes and dashed possibilities in the capital crusade that is the united states economy.

Did the house value stagnate when the rest of the country surged? Was she forever prevented from changing her circumstances by selling that house? Were the neighborhood social ties largely destroyed? Did her marriage end? Were her children able to succeed? What the fuck is success anyway?

So I am a snowflake, but I melt and reconstitute several hundred times per day, so that makes me a tough one. I’m a survivor, right? (I have technically survived, having practiced survival, and thus I am in fact a survivor.)

But you know I’m also a non-self-aggrandizing narcissist because I put that Admission of Survivorship in parenthesis to make sure we all remember that I don’t technically like myself all the way (even though I do a lot more now). Nevertheless I find it difficult to take anything from anyone ever, including implicit compliments, but not limited to the chicken soup with pastina that my kind neighbor delivered to me after I’d admitted (admitting again!) that my kids had been sick for two weeks and I was kinda losing it and also coming down with it.

Just to be clear, the implicit compliments I’m referring to are your continued eye movements and your synapses doing their synapting to handle the reading comprehension, as if the mere act of consuming (and maybe spitting out, I don’t care)* my thoughts, that act which involves physical and mental tasks that many would consider too grave to undertake, constitutes a compliment.

*see? I do very much care but I also don’t, in a playing finite games kind of way, when I can tap into the river experience of existence. Can’t grab it, can’t change it, unless you’re a beaver. The point is I love you.

I love you for the compliment of spending this time with me. But also for all your separate you-ness.

So anyway, the way I see the transitions in the neighborhoods at the periphery issue is as if all the stories rush toward me at once. And they’re sticky and I have to wade through them and pull them back from my shoulders and one or three are usually stowaways like leaches to be wrestled back whenever they’re finally noticed.

Preserved Lemons

Here we are in the brine.

This is an attempt at an unpretentious art site. I’d like to just show ya what I’ve got, and maybe it’s what you want, and if so, huzzah! So why tell in addition to show? Collectors have been sharing recently that they’d like to hear a little more from me.

The brine is salty but sweet, they’re Meyer lemons.

This could theoretically be “fancy art” and while I love asthetics as much as any other aesthete, every one of the works featured here was made with confiflict in mind and body, which is only to suggest that just because this work means something to me, doesn’t mean it should mean anything to you. If it does, then lightning has struck, our connection was written in the stars, and something I made with my star-based brain is going to play a role in your star-based life.

If you can’t spend the posted price, but you feel the magic, just reach out and let me know what you can swing. I want you to live with art that you love.

I send you appreciation for being here right now, even if you’re about to go!

Hello

AJW compositions are rooted in dichotomy: soft but sharp, casual and formal, playful but solemn. The artist returns to themes of modern nostalgia and Americana, reluctantly endeared to and horrified by our infatuation with consumption.

OR

Jess Wright's work evokes the contradictions inherent in modern life via compositions infused with dichotomy ⸺ soft & sharp, casual & formal, playful & solemn ⸺ a push and pull whose depiction calls attention to the liminal spaces that usually go ignored; these spaces are the layers between the moments that our brains are able to tease out into memories. 

OR

Wright returns to themes of nostalgia, Americana, and our infatuation with consumption; works in mixed media, painting, and sculpture.

(THIS IS NOT A MISTAKE)

Her favorite place to be is at the ocean.

(THE RIVER WILL DO)

Commissions available / collaborations welcome: email or DM @artjesswright